Chapter RDF
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- “The Globalization of Asian Dress: Re-Orienting Fashion or Re-Orientalizing Asia?"
- “The Media Archaeology Lab as Platform for Undoing and Reimagining Media History.”
- “The State of the Examiner’s World in 1813.”
- “The Sublime is Now Again” (7,418 words)
- "Things Under Water: Etienne-Jules Marey's Aquarium Laboratory and Cinema's Assembly"
- "Thinking Federally" from a Governance Perspective
- "To Be" in Wichita
- "Todos nos volvemos un poco locos de vez en cuando" Buñuel y Hitchcock.
- “Towards an experimental functionalist linguistics: Production.”
- “Towards Feminist Labs: Provocations for Collective Knowledge-Making.”
- "Towards the normalization of the avant-garde
- “Traditionalism in the American Right.”
- “Unnatural” Gender in Hindi
- “Verb representation and thinking-for-speaking effects in Spanish-English bilinguals
- “Virginia Woolf and Fashion”
- "We got game": Race, masculinity, and civilization in professional team sport
- “Why Move? How Weight and Discourse Factors Combine to Predict Relative Clause Extraposition in English”
- “Working with a Service Dog in the United States.”
- "Yo Soy": Public Protest, Private Expression: Contestatory Uses of Social Media by Contemporary Mexican Youth
- "You Don't Have to Be Human to Have a Human Hand."
- “You’re not a Spanish speaker!/We are all bilingual” The purple kids on being and becoming bilingual in a dual language kindergarten classroom
- "Your Tale Merely Confirms that Women are Mad and Vain": The uncanny Rendering of COuntess Elizabeth Bathory's Life as Vampire Legend.
- #gentrification, cultural erasure, and the (im)possibilities of digital queer gestures
- #gentrification, Cultural Erasure, and the (Im)possibilities of Digitial Queer Gesture
- $C^*$-algebras and the classification of finite groups
- $K$-theory and the spectrum of discrete subgroups of $rm spin(4,1)$
- <i>Petri Iohannis Olivi Tractatus de Verbo</i>
- '"Base rogues" and "gentlemen of quality": the earl of Essex's Irish knights and royal displeasure in 1599'
- ‘“Do you see?” Levels of Ellipsis in No Country for Old Men.’
- ‘“He wishes that everyone were leprous like him': Infectious Counternarratives in Ami et Amile"