Chapter
RDF
pages:
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'A two-dimensional framework for evaluataing teachers' technology adoption.'
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'Alien Spirits': The Unity of Lovelace and Clarissa
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'Alte Liebe' and the Birds of Spring: Text, Music, and Image in Max Klinger's 'Brahms Fantasy'
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'Amber Does Not Shed So Sweet a Perfume as the Veriest Trifles Touched by Those We Love': Engaging with Community through Things in Bernardin de St. Pierre's Paul et Virginie and Alphonse de Lamartine's Graziella
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'Belebte Schraube ohne Ende.' Zur Vorgeschichte der Doppelhelix
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‘Belgium Is an Industrialist’: Pride and Exploitation in the Black Country, 1850–1900
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'Changing her gown and setting her head to rights': New Shops, New Hats and New Identities
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'Cunningly Hidden': Invisible and Forgotten Relics in the Romanesque Work of Art
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’De rebus gestis Ferdinandi Cortesii’ y ’La conquista de México’: Algunas reflexiones en torno a la metodología histórica de Francisco López de Gómara
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'Educational Recommendation in an Informal Intentional Learning System.'
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'Eine ungeheure Kluft': Nietzsche, die Geburt der Tragödie und das Mass in der Dichtung
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'For Their and Our Security': Jurisdictional Identity and the Performance of the 'Poor Indian' on Deer Island
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'Gott als Schriftsteller': Herder and the Hermeneutic Tradition
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'I Don’t Think a Cop Has Ever Asked Me if I Was OK’: Battered Women’s Experiences with Police Intervention.
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‘Infiltrating Julian History: Anna Perenna at Lavinium and Bovillae’,
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'Intense-field many-body S-matrix theory' and mechanism of laser induced double ionization of helium
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'It's Rather Like Embracing a Textbook': The Linguistic Representation of the Female Psychoanalyst in American Film
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'Las ruinas circulares': Borges y el mito de la autoría
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'Launched upon the sea of moral and political inquiry': The Ethical Experiments of the Romantic Novel
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'Like droppes of colde water caste into the flame': Lord Henry Howard's notes on the fall of the earl of Essex
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'Military and chivalric culture'
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’Mine Eye Hath Play’d the Painter’: Pasternak’s ’Ne Trogat’ and the Conventions of the Renaissance Love Lyric
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'Onely imagined': Vernacular Community and the English Press
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'Pleasure Is Now, and Ought to Be, Your Business': Stealing Sexuality in Jane Austen's Juvenilia
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'Som en forbandelse’: Hedda Gabler og det uhyggelige
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'Strange and New ...': Subjectivity and the Ineffable in The Sweet Hereafter
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'The earl of Essex'
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'The Inner Chambers of all Nameless Sin': The Beetle, Gothic Female Sexuality, and Oriental Barbarism
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’The Pleasant Nights’ (1551, 1553)
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'The smiling crocodile: the earl of Essex and late Elizabethan "popularity"'
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