Chapter RDF
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- $K$-theory and the spectrum of discrete subgroups of $rm spin(4,1)$
- '"Base rogues" and "gentlemen of quality": the earl of Essex's Irish knights and royal displeasure in 1599'
- ‘“Do you see?” Levels of Ellipsis in No Country for Old Men.’
- 'A two-dimensional framework for evaluataing teachers' technology adoption.'
- 'Alien Spirits': The Unity of Lovelace and Clarissa
- 'Alte Liebe' and the Birds of Spring: Text, Music, and Image in Max Klinger's 'Brahms Fantasy'
- 'Amber Does Not Shed So Sweet a Perfume as the Veriest Trifles Touched by Those We Love': Engaging with Community through Things in Bernardin de St. Pierre's Paul et Virginie and Alphonse de Lamartine's Graziella
- 'Belebte Schraube ohne Ende.' Zur Vorgeschichte der Doppelhelix
- ‘Belgium Is an Industrialist’: Pride and Exploitation in the Black Country, 1850–1900
- ‘Body’ and the relationship between verb and participants
- 'Changing her gown and setting her head to rights': New Shops, New Hats and New Identities
- 'Cunningly Hidden': Invisible and Forgotten Relics in the Romanesque Work of Art
- ’De rebus gestis Ferdinandi Cortesii’ y ’La conquista de México’: Algunas reflexiones en torno a la metodología histórica de Francisco López de Gómara
- 'Educational Recommendation in an Informal Intentional Learning System.'
- 'Eine ungeheure Kluft': Nietzsche, die Geburt der Tragödie und das Mass in der Dichtung
- 'For Their and Our Security': Jurisdictional Identity and the Performance of the 'Poor Indian' on Deer Island
- 'Gott als Schriftsteller': Herder and the Hermeneutic Tradition
- 'I Don’t Think a Cop Has Ever Asked Me if I Was OK’: Battered Women’s Experiences with Police Intervention.
- ‘Infiltrating Julian History: Anna Perenna at Lavinium and Bovillae’,
- 'Intense-field many-body S-matrix theory' and mechanism of laser induced double ionization of helium
- 'It's Rather Like Embracing a Textbook': The Linguistic Representation of the Female Psychoanalyst in American Film
- 'Las ruinas circulares': Borges y el mito de la autoría
- 'Launched upon the sea of moral and political inquiry': The Ethical Experiments of the Romantic Novel
- 'Like droppes of colde water caste into the flame': Lord Henry Howard's notes on the fall of the earl of Essex
- 'Military and chivalric culture'
- ’Mine Eye Hath Play’d the Painter’: Pasternak’s ’Ne Trogat’ and the Conventions of the Renaissance Love Lyric
- 'Onely imagined': Vernacular Community and the English Press
- 'Pleasure Is Now, and Ought to Be, Your Business': Stealing Sexuality in Jane Austen's Juvenilia
- 'Som en forbandelse’: Hedda Gabler og det uhyggelige
- 'Strange and New ...': Subjectivity and the Ineffable in The Sweet Hereafter