Chapter
RDF
pages:
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“‘Another world, another life’: Humans, Monsters, and Politics in Predator: South China Sea.”
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“‘Free them all’: A conversation on Trans Abolitionist Visions with Jordan Garcia"
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“’I will teach . . . the stones / To rise against earth’s tyrants’: Moving Beyond War in Byron’s ‘War Cantos.’”
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“‘Who Do I Have to Forgive to Move On From This Place?’: Meditations from a Third World Feminist Lesbian
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“‘You Didn’t Mention Your Own Identity as a White Man’. Ideological Boundaries of Whiteness.”
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“A Disconcerting Language: Valle-Inclán’s Tirano Banderas and the Hispanic Atlantic."
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"A Global History of Secondhand Clothing"
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"Abecedaries"
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"Accidental Histories: Fieldwork among the Maroons of Jamaica"
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“Afterword: Traveling Worlds to Engage Rhetoric’s Perennial Questions"
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"Amish Reality and Reality TV Amishness: Agonism in the Cultural Marketplace,"
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"An Antiman's Survival Despite"
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"Anglo-Amerikanische Literatur.“
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"Attentes," interview with Marie Cosnay
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“Basic Writing Pedagogy: Shifting Academic Margins in Hard Times.”
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“Basic Writing Pedagogy: Shifting Academic Margins in Hard Times.”
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"Between Property and Person: The Ambiguous Status of Slaves in Eighteenth-century Martinique, Guadeloupe and Saint-Domingue"
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"Bring Tent": The Occupy Movement and the Politics of Public Nature
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“Brown Bodies, Borders, and Boats: Reading Tamil ‘Irregular Arrivants’ Through the History of the Komagata Maru”
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"Buddhist Ethics in Contemporary Tibet"
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"But I'm not gay": What Straight Teachers Need to Know about Queer Theory
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“Cast thy bread upon the waters$dots$” A personal view of the mathematician Paul ErdH os
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“Chapter 17: On Bats, Breathing, and Bella Vita Verde: Reflections ; on Environmental Communication During a Global Pandemic”
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"Circuler," interview with Marie Cosnay
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“Classical Arapaho Morphology and Morphosyntax.”
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"CLOSE PARALLELS"? Interrelated Discussions of Partition in South Asia and the Palestine Mandate (1936-1948)
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"Coincidentally . . . "
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"Come to the Table"
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“Complexity,” Information Failures in the Financial Crisis, and Reinventing Securities Disclosure
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"Composing with the Animal Side"
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