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Publications in VIVO
 

Sears, Kelly L Assistant Professor

Positions

Research Areas research areas

Research

research overview

  • My collage animation practice reframes imagery of American archetypes and institutions to reimagine our own social and political legacies and futures. I view animation as a critical practice and the acts of cutting out and collaging becomes strategies to intervene in the official readings of appropriated source material. Each of my films harness identifiable cultural and collective narratives while untethering this identification enough to engage other histories and experiences.

keywords

  • animation, experimental film, media archeology, documentary, science fiction, creative writing

Publications

Teaching

courses taught

  • ARTF 5500 - Cinema Production 2
    Primary Instructor - Spring 2018 / Fall 2018 / Spring 2019
    Advanced exploration of creative cinema production through short production and post-production projects. Course focuses on the tactics and strategies of independent cinema production exploring either documentary, experimental, or narrative genres. May be repeated up to 9 total credit hours. Same as FILM 4500.
  • ARTS 5717 - Graduate Studio Critique
    Primary Instructor - Fall 2018
    May be repeated up to 6 total credit hours with any single faculty member.
  • CINE 4500 - Cinema Production 2
    Primary Instructor - Spring 2018 / Fall 2018 / Spring 2019
    Advanced exploration of creative cinema production through short production and post-production projects. Course focuses on the tactics and strategies of independent cinema production leading to the completion of a BFA thesis project exploring either documentary, experimental, or narrative genres. May be repeated up to 6 total credit hours. Formerly FILM 4500. Same as ARTF 5500.
  • FILM 3620 - Experimental Digital Animation
    Primary Instructor - Spring 2018 / Spring 2019
    Explores boundaries of traditional animation construction and delve into contemporary animation history. Small projects will involve experimentation with animation techniques that integrate with analog animation, frame-by-frame digital processes and live-action footage. Ideal for students who have taken FILM 2010 or FILM 2610 or FILM 3525. Students familiar with animation and digital imaging or those eager to explore the process are encouraged to enroll. Formerly FILM 3620.

Background

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