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Biggs, Betsey

Assistant Professor

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Research Areas research areas

Research

research overview

  • Assistant Professor Betsey Biggs uses technology to combine image and sound in site-specific works, audiovisual performances, interactive installations, public interventions, relational projects, films and videos, musical compositions and multimedia theatrical works. Her body of work connects the dots between sound, music, visual art, place, storytelling and technology. It also deconstructs and arranges scraps of sound and image to clarify and recreate the experiences of people and place, as well as adapting the technology of our contemporary world – mobile audio, digital video, interactive electronics – to engage people creatively with the physical and social worlds around them.

keywords

  • Sound Art, Video Art, Socially Engaged Art, Emergent Technologies

Publications

Teaching

courses taught

  • ARTS 5717 - Graduate Studio Critique
    Primary Instructor - Spring 2019
    May be repeated up to 6 total credit hours with any single faculty member.
  • CMDP 2600 - Creative Media Making
    Primary Instructor - Spring 2018
  • CMDP 3510 - Critical Media Practices Workshop II
    Primary Instructor - Spring 2019
    Training in narrow topics of media practices. Open to CMCI students and by permission of the instructor. May be repeated up to 7 total credit hours.
  • CMDP 3840 - Sound Practices
    Primary Instructor - Spring 2019 / Spring 2020 / Fall 2020 / Fall 2021 / Spring 2023 / Fall 2023 / Spring 2024 / Fall 2024
    This course serves as the gateway to the Sound Practices concentration. Explores the aesthetics of sound through the study of sound art and sound culture. Reading and discussion covers theories technologies, and histories that drive the medium. Students apply concepts by designing and building their own soundscapes, Class will be organized around hands-on activities, lectures, and discussion of readings.
  • CMDP 3860 - Sonic Arts I
    Primary Instructor - Fall 2023
    Surveys the various tools and techniques in the field of music technology. Topics include an introduction to basic synthesis, digital signal processing, MIDI and audio sequencing, music notation and a historical perspective on electronic music. Same as MUSC 2061 and MUEL 2061.
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