Chapter RDF
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- "Todos nos volvemos un poco locos de vez en cuando" Buñuel y Hitchcock.
- “Towards an experimental functionalist linguistics: Production.”
- “Towards Feminist Labs: Provocations for Collective Knowledge-Making.”
- "Towards the normalization of the avant-garde
- “Traditionalism in the American Right.”
- “Unnatural” Gender in Hindi
- "Vanishing and Morality in the Dunes"
- “Verb representation and thinking-for-speaking effects in Spanish-English bilinguals
- “Virginia Woolf and Fashion”
- “Wenzhang de wenxue shijie” 文章的文学世界
- “Why Move? How Weight and Discourse Factors Combine to Predict Relative Clause Extraposition in English”
- “Working with a Service Dog in the United States.”
- "Yo Soy": Public Protest, Private Expression: Contestatory Uses of Social Media by Contemporary Mexican Youth
- "You Don't Have to Be Human to Have a Human Hand."
- “You’re not a Spanish speaker!/We are all bilingual” The purple kids on being and becoming bilingual in a dual language kindergarten classroom
- #BecauseofLuLaRoe: MLMs and the Rhetoric of Freedom, Girlboss Feminism, and Retail Ministry
- $C^*$-algebras and the classification of finite groups
- '"Base rogues" and "gentlemen of quality": the earl of Essex's Irish knights and royal displeasure in 1599'
- ‘“Do you see?” Levels of Ellipsis in No Country for Old Men.’
- ‘“He wishes that everyone were leprous like him': Infectious Counternarratives in Ami et Amile"
- '"Trapped in the mental world of Robert Parsons": religious politics, blame and the Essex Rising of 1601',
- 'A Good Work Among the People': The Political Culture of the Boston Antislavery Fair
- 'A two-dimensional framework for evaluataing teachers' technology adoption.'
- 'Alien Spirits': The Unity of Lovelace and Clarissa
- 'Alte Liebe' and the Birds of Spring: Text, Music, and Image in Max Klinger's 'Brahms Fantasy'
- 'Amber Does Not Shed So Sweet a Perfume as the Veriest Trifles Touched by Those We Love': Engaging with Community through Things in Bernardin de St. Pierre's Paul et Virginie and Alphonse de Lamartine's Graziella
- 'Belebte Schraube ohne Ende.' Zur Vorgeschichte der Doppelhelix
- 'Beyond Shallow and Silence: war in the age of Shakespeare'
- ‘Body’ and the relationship between verb and participants
- 'Changing her gown and setting her head to rights': New Shops, New Hats and New Identities